《丹麦小村教堂》它究竟讲述了一个怎样的故事？
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
1、《丹麦小村教堂》是哪一年上映的？
《丹麦小村教堂》是卡尔·西奥多·德莱叶于1947年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《丹麦小村教堂》上映时票房稳坐前三，创下当年纪录。当时Ib,Koch-Olsen均为最佳主角，Ib,Koch-Olsen以精彩演技和突出形象，奠定在其它影坛地位。Ib,Koch-Olsen饰演角色造型多年后仍为人所模仿。卡尔·西奥多·德莱叶之前曾被人怀疑其能力，而《丹麦小村教堂》却奠定卡尔·西奥多·德莱叶剧情片风格。《丹麦小村教堂》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀剧情片齐名。
2、被称为剧情片的开先河之作的《丹麦小村教堂》，是卡尔·西奥多·德莱叶最好的作品吗?
从卡尔·西奥多·德莱叶斩获剧情片最佳导演 我就觉得这部《丹麦小村教堂》是他最好的剧情片。虽然卡尔·西奥多·德莱叶后来还拍出来了评价特别好的剧情片，但是《丹麦小村教堂》是他剧情片的代表作品。
3、《丹麦小村教堂》为何能成为经典？
每当人们谈论其它的剧情片，便绕不开《丹麦小村教堂》这部作品。由卡尔·西奥多·德莱叶执导、Ib,Koch-Olsen担纲主演的这部电影，在上映当年如同一匹出人意料的黑马，突破重围，创造了属于自己的奇迹。说来或许令人惊讶，即便是卡尔·西奥多·德莱叶导演与Ib,Koch-Olsen本人，也未曾预料这部剧情片能收获如此热烈的回响。卡尔·西奥多·德莱叶曾在访谈中透露，这部作品是一群正值低谷的电影人共同倾注心血的结晶。在《丹麦小村教堂》开拍前，Ib,Koch-Olsen已历经四年无戏可拍的沉寂期，其此前主演的几部剧情片也反响平平。正是这样一群身处逆境却仍怀抱信念的创作者，因缘际会地聚在了一起。或许正是这种共通的失意与不屈的尊严感，促使他们将超乎想象的热情投入到了创作中。细细品味便会发现，影片中人物的心路历程与动人情节，又何尝不是他们现实境遇的一种映照？正是怀着这份不甘沉沦的执着与气概，他们凭借扎实的功底与真挚的情感，共同铸就了这部留名影史的剧情片经典，同时也完成了各自的涅槃与升华。
4、如何评价《丹麦小村教堂》?
《丹麦小村教堂》口碑非常好深受广大观众喜爱，《丹麦小村教堂》一经播放立刻引来无数人点赞，不仅Ib,Koch-Olsen演的好而且该剧情片故事情节也非常紧凑，51影院（www.pongointerior.com）观看起来特别流畅同时还能扣人心弦，虽然目前《丹麦小村教堂》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演Ib,Koch-Olsen，她在该剧情片中的演技可圈可点，受到Ib,Koch-Olsen演的好而且该剧情片迷的认可。
5、《丹麦小村教堂》剧情片的主要内容
《丹麦小村教堂》是一部剧情片剧情片，由导演：卡尔·西奥多·德莱叶执导，主演：Ib,Koch-Olsen，
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
6、《丹麦小村教堂》是卡尔·西奥多·德莱叶导演的一部超级经典的剧情其它片，该剧讲述了：The history of Danish country church architecture is told by showing scenes of how the church was us，为您推荐更多好剧，建议立即收藏本站。这里是一站式的影视宝库，让您不错过任何精彩：www.pongointerior.com
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
